https://neusatrovoada.eu neusatrovoada copy Sat, 27 Sep 2025 16:10:52 +0000 https://neusatrovoada.eu en https://neusatrovoada.eu/index Sat, 27 Sep 2025 16:10:47 +0000 neusatrovoada copy https://neusatrovoada.eu/index https://neusatrovoada.eu/Morfologia-de-uma-cidade-intermitente Sat, 27 Sep 2025 16:10:48 +0000 neusatrovoada copy https://neusatrovoada.eu/Morfologia-de-uma-cidade-intermitente | exhibition Resiliart /&nbsp;Luanda BiennaleApr 2024 Morphology of an intermittent city Vestiges of Luanda projected onto a suspended reality. Two ecosystems connected by arteries-roots in mutation. The surface, the geometry of consumption that uninterruptedly extracts resources, the compulsion of everyday life, the digitalisation of identities. Underground, bionic roots reconfigure a failing organism, developing ways of sustaining and adapting. The asymmetrical risk between life and death, in friction. The choreography of the people, the spasms that improvise the present and designate the future. &nbsp; &nbsp; <img width="2794" height="1848" width_o="2794" height_o="1848" data-src="https://freight.cargo.site/t/original/i/b3c36095fb4630457313421fa78372ca621779f4ec9bae425e1410752f9f463d/13.png" data-mid="238737000" border="0" src="https://freight.cargo.site/w/1000/i/b3c36095fb4630457313421fa78372ca621779f4ec9bae425e1410752f9f463d/13.png" /> Morfology of an intermittent city, Resiliart, Luanda, Angola | Photography Ivone Amaral <img width="2810" height="1870" width_o="2810" height_o="1870" data-src="https://freight.cargo.site/t/original/i/13d4284c2d2b1c35f36f9895d3734fed7088c263953d2a58a7406d5689fa4a73/9.png" data-mid="238737011" border="0" src="https://freight.cargo.site/w/1000/i/13d4284c2d2b1c35f36f9895d3734fed7088c263953d2a58a7406d5689fa4a73/9.png" />Morfology of an intermittent city, Resiliart, Luanda, Angola | Photography Ivone Amaral <img width="2814" height="1856" width_o="2814" height_o="1856" data-src="https://freight.cargo.site/t/original/i/7edb54656e75030646946cbb246aefb7b9174ddb014234b6ce054157b63746fd/6.png" data-mid="238737005" border="0" src="https://freight.cargo.site/w/1000/i/7edb54656e75030646946cbb246aefb7b9174ddb014234b6ce054157b63746fd/6.png" />Morfology of an intermittent city, Resiliart, Luanda, Angola | Photography Ivone Amaral <img width="1240" height="1868" width_o="1240" height_o="1868" data-src="https://freight.cargo.site/t/original/i/60e0c1bcdfbf3ed96206c2dfbd4d385af98c367ff3ab0b2ac02de8de77577b55/8.png" data-mid="238737007" border="0" src="https://freight.cargo.site/w/1000/i/60e0c1bcdfbf3ed96206c2dfbd4d385af98c367ff3ab0b2ac02de8de77577b55/8.png" /> <img width="1236" height="1854" width_o="1236" height_o="1854" data-src="https://freight.cargo.site/t/original/i/f4fd47e1414e335beba94086a6af3cb9d2ded221e911a903a28877931e16a73f/10.png" data-mid="238737008" border="0" src="https://freight.cargo.site/w/1000/i/f4fd47e1414e335beba94086a6af3cb9d2ded221e911a903a28877931e16a73f/10.png" /> <img width="1232" height="1858" width_o="1232" height_o="1858" data-src="https://freight.cargo.site/t/original/i/fba7f3bb65a3f57bdfa2a1c32bab66e569ef14e7fe26135046c2913d280bab0f/3.png" data-mid="238737003" border="0" src="https://freight.cargo.site/w/1000/i/fba7f3bb65a3f57bdfa2a1c32bab66e569ef14e7fe26135046c2913d280bab0f/3.png" /> Morfology of an intermittent city, Resiliart, Luanda, Angola | Photography Ivone Amaral https://neusatrovoada.eu/CHORUS-1-8 Sat, 27 Sep 2025 16:10:50 +0000 neusatrovoada copy https://neusatrovoada.eu/CHORUS-1-8 | exhibition InstitutoMai - Jun 2023 CHORUS 1.8 -&nbsp; de composição de um grito The mouth, restricted, rehearses experiences of a violent invasion. The burying of speech, the convulsion of words, the condensation of the voice, repetition. A scream implodes. A scream explodes. Particles tear through space to be survival and creation. Indigo blue conflates materialisation. The dense, implacable, mutant chorus incites becoming. The emergence of the future erodes the previous act. "You have to destroy in order to start again". (James Stinson, Drexciya) CHORUS 1.8 - the composition of a scream, observes the mouth, whose channels of communicability contain dark residues of historically violent events. Indigo blue "is the liquid atmosphere of death and liberation that only the whirlwind of sounds and the infinite shaking of bodies lets us sense. The urgency to get up, to walk. To get back into the air." (Branca Clara das Neves) CHORUS 1.8 is a tentacular project involving installation, performance, workshops and a conference. CHORUS 1.8 is a project funded by the Portuguese Republic – Culture / Directorate-General for the Arts. &nbsp; &nbsp; <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/9f0261b5c61e7585642dcac4d1b467d405796394c77b72f3bca1740591a97a1a/CHORUS--exposicao-INSTITUTO.jpg" data-mid="238737020" border="0" src="https://freight.cargo.site/w/1000/i/9f0261b5c61e7585642dcac4d1b467d405796394c77b72f3bca1740591a97a1a/CHORUS--exposicao-INSTITUTO.jpg" /> CHORUS 1.8, INSTITUTO, Oporto | Photography Renato Lainho <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/61e5504b9b4c87b72dc43a7fcdeda4c612c3175212fcc150a6abe51ee14d5f4d/CHORUS-boca-de-vidro.jpg" data-mid="238737018" border="0" src="https://freight.cargo.site/w/1000/i/61e5504b9b4c87b72dc43a7fcdeda4c612c3175212fcc150a6abe51ee14d5f4d/CHORUS-boca-de-vidro.jpg" />Boca de Vidro, 2023 | CHORUS 1.8, INSTITUTO, Oporto | Photography Joana Garrido <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/4934e10f53323899cc1446ee83b12d111b2d75e9f13bc0104fa49548936ff0c5/CHORUS-census.jpg" data-mid="238737024" border="0" src="https://freight.cargo.site/w/1000/i/4934e10f53323899cc1446ee83b12d111b2d75e9f13bc0104fa49548936ff0c5/CHORUS-census.jpg" />Census 2023 | CHORUS 1.8, INSTITUTO, Oporto | Photography Renato Lainho https://neusatrovoada.eu/CHORUS-1-8-LATENTE Sat, 27 Sep 2025 16:10:50 +0000 neusatrovoada copy https://neusatrovoada.eu/CHORUS-1-8-LATENTE | installation Presente Invisível Exhibition BoCA – Biennial of Contemporary Arts 2023 CHORUS 1.8 - latente Underground paths are fruitful avenues for creation and reconstruction. They generate movements and reformulations of existences. In the archaeological transmission of gestures, they spread branches that grow in urban voids, building hidden survival strategies. Breathing. Demand. Creating. Coro dos Assombrados by Zia Soares. Performance in dialogue with the CHORUS 1.8 - latente installation. “‘Coro dos Assombrados’ takes place in the mouth. It goes from mouth to mouth until it enters mine. I swallow broken skins and the bones of bodies that come from over there, from the other side, mixed with shoes and laments, to find me. The devouring mouth has to expel these salty corals. And after bleeding the salt from the wounds, the mouth, armoured, it falls asleep in the night of sparkling silences.” (Zia Soares) Text: Djaimilia Pereira de AlmeidaInstallation: Neusa TrovoadaVideo and interaction: Cláudia SevivasMusic: XullajiInterpretation: Zia Soares, Carlos Trovoada Co-production: SO WING/BoCA Support: Biblioteca de Belém – Rede de Bibliotecas de Lisboa, Divergente, ESTC – Escola Superior de Teatro e Cinema, Espaço Tabanka, Qi news CHORUS 1.8 is a project funded by the Portuguese Republic – Culture / Directorate-General for the Arts. <img width="8336" height="5211" width_o="8336" height_o="5211" data-src="https://freight.cargo.site/t/original/i/4b825e3219179a8296e20c916f1464dda25e2dea0f114a3912d37185d5158957/CHORUS--latente.jpg" data-mid="238737026" border="0" src="https://freight.cargo.site/w/1000/i/4b825e3219179a8296e20c916f1464dda25e2dea0f114a3912d37185d5158957/CHORUS--latente.jpg" /><img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/4bd6a418ace2bddf2f2204e2d574db7049fe7b045ee9b1e02d0590e8710756e0/CHORUS--latente-3.jpg" data-mid="238737028" border="0" src="https://freight.cargo.site/w/1000/i/4bd6a418ace2bddf2f2204e2d574db7049fe7b045ee9b1e02d0590e8710756e0/CHORUS--latente-3.jpg" /><img width="8336" height="5211" width_o="8336" height_o="5211" data-src="https://freight.cargo.site/t/original/i/aaac422c323dc80a5ddf630118ec0402ca26c9e89b5a5ae88689bbcce4d4d409/CHORUS--latente-5.jpg" data-mid="238737029" border="0" src="https://freight.cargo.site/w/1000/i/aaac422c323dc80a5ddf630118ec0402ca26c9e89b5a5ae88689bbcce4d4d409/CHORUS--latente-5.jpg" /> Borys Dmytruk / BoCA – Biennial of Contemporary Arts 2023 https://neusatrovoada.eu/FANUN-RUIN Sat, 27 Sep 2025 16:10:51 +0000 neusatrovoada copy https://neusatrovoada.eu/FANUN-RUIN | art direction, scenography and costumes Fundação Calouste GulbenkianSet 2022 Fanun Ruin “FANUN RUIN begins with the meeting with the Timorese skulls in Coimbra. It begins with the Timorese insurgent banished to Angola and the Angolan woman who is banished. It starts with the questions. What did the faces of those who were cut off look like? Where are the remains of the skulls? When will the usurped bones return? Who is waiting for them? Who still remembers? Who wants to forget? How to embody the bones? The actress speaks. She puts life into her voice.” (Zia Soares) Author, Director and Performer: Zia Soares Art direction: Neusa Trovoada Video co-creation: António Castelo Music: Xullaji Movement: co-creation Lucília Raimundo Lighting: Mafalda Oliveira Video cast: Agostinho de Araújo, Aoaní Salvaterra, Domingos Soares, Fátima Guterres, Lídia Araújo, Lucília Raimundo, Manuel de Araújo, Priscila Soares Set design assistance: Carlos Trovoada, Nig d'Alva Sound technician: Luís Moreira Photography: António Castelo <img width="4168" height="2606" width_o="4168" height_o="2606" data-src="https://freight.cargo.site/t/original/i/c8c29e9e4c2c74e7df07273b58ea65421a24579f6348d83d6549ba13cc3bbedb/Fanun-Ruin-3.jpg" data-mid="238737033" border="0" src="https://freight.cargo.site/w/1000/i/c8c29e9e4c2c74e7df07273b58ea65421a24579f6348d83d6549ba13cc3bbedb/Fanun-Ruin-3.jpg" />Susana Paiva <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/8143c37eafa834571b56c59f4dfa65f63a09b8e4d3d3630169d987eb09057f05/Fanun-Ruin-2.jpg" data-mid="238737030" border="0" src="https://freight.cargo.site/w/1000/i/8143c37eafa834571b56c59f4dfa65f63a09b8e4d3d3630169d987eb09057f05/Fanun-Ruin-2.jpg" />Susana Paiva <img width="4168" height="2606" width_o="4168" height_o="2606" data-src="https://freight.cargo.site/t/original/i/d3a48f3350a9342bf76b7cb1b002098e941ffcfb11af46f728420fe8b1894213/Fanun-Ruin-4.jpg" data-mid="238737031" border="0" src="https://freight.cargo.site/w/1000/i/d3a48f3350a9342bf76b7cb1b002098e941ffcfb11af46f728420fe8b1894213/Fanun-Ruin-4.jpg" /> Susana Paiva&nbsp; <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/7f418cbae01ec9587ff1eb0033a29cab699916e9ff9ace9c58cfdac0296cf66a/Fanun-Ruin-1.jpg" data-mid="238737032" border="0" src="https://freight.cargo.site/w/1000/i/7f418cbae01ec9587ff1eb0033a29cab699916e9ff9ace9c58cfdac0296cf66a/Fanun-Ruin-1.jpg" /> https://neusatrovoada.eu/Gestuario-II Sat, 27 Sep 2025 16:10:51 +0000 neusatrovoada copy https://neusatrovoada.eu/Gestuario-II | costume and props design Carpintarias de São LázaroMar 2019 Gestário II Groundless feet reach where the earth is fertile, where the dead have always been present.The site of pain on which to heal the wound is often unlikely. But overcoming pain is the utopian way to reach the other side. Who is able to listen? Who is able to scream? What is there to repair? Who won't last? What's left to dream?O Instituto da Mulher Negra em Portugal - INMUNE, answers to BoCA's invitation and creates a spoken word performance around issues related to the emergence of this interseccional and anti-racist feminist entity, composed by black women. Created by: INMUNE / Zia SoaresPerformers: Alesa Herero, Denise VianaJoacine Katar Moreira, Raquel LimaCostumes and props: Neusa TrovoadaCo-production: BoCA, INMUNE <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/9a7cf8fbb44c2fe0a10840459b07ad1a9dc95f6b5fccc5534f49cb8c22f6b64b/GestuarioII_-1.jpg" data-mid="238737034" border="0" src="https://freight.cargo.site/w/1000/i/9a7cf8fbb44c2fe0a10840459b07ad1a9dc95f6b5fccc5534f49cb8c22f6b64b/GestuarioII_-1.jpg" /> Bruno Simão / BoCA – Biennial of Contemporary Arts 2019 <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/977aa3e2e23124480bc79ddf5168db07258ec9ece5acaa672c13ee2f1633ae9b/GestuarioII_-2.jpg" data-mid="238737035" border="0" src="https://freight.cargo.site/w/1000/i/977aa3e2e23124480bc79ddf5168db07258ec9ece5acaa672c13ee2f1633ae9b/GestuarioII_-2.jpg" /> Bruno Simão / BoCA – Biennial of Contemporary Arts 2019 <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/f20f5544ea0e0c8b452e627c32d2afc5ecf0fd44ec2f43262a154703bedf39cf/GestuarioII_-3.jpg" data-mid="238737036" border="0" src="https://freight.cargo.site/w/1000/i/f20f5544ea0e0c8b452e627c32d2afc5ecf0fd44ec2f43262a154703bedf39cf/GestuarioII_-3.jpg" /> Bruno Simão / BoCA – Biennial of Contemporary Arts 2019 <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/ccc409b6f43561812fdd3009f2093610ffa8f6093bf1c2483052030880b6d91c/GestuarioII_-4.jpg" data-mid="238737037" border="0" src="https://freight.cargo.site/w/1000/i/ccc409b6f43561812fdd3009f2093610ffa8f6093bf1c2483052030880b6d91c/GestuarioII_-4.jpg" /> Bruno Simão / BoCA – Biennial of Contemporary Arts 2019 https://neusatrovoada.eu/Kuinzy Sat, 27 Sep 2025 16:10:51 +0000 neusatrovoada copy https://neusatrovoada.eu/Kuinzy | co-creation, installation, costume design, video interaction RampaOct 2022 Kuinzy The woman dressed as a military heroine lives in the interleaving, sometimes simultaneously, sometimes solo, of digital and real-time performance, obsessed with the uninterrupted task of intervening with the metaphysics of the room.She builds geometries that transit between trenches, branches and excavations, and that challenge the accuracy of the center. The center always reestablishes itself in the impossibility of deferring barriers. It is in the continuous friction of the actions that the scene opens, producing delirium: the woman becomes a homeland, a map, a lost territory whose cause is urgent to defend.And the violence shows itself, polysemic.To disposeTo trapTo disguise in camouflageTo watch overTo blowTo restart Concept: Zia Soares with Neusa TrovoadaInterpretation: Zia SoaresInstallation, costumes, video interaction: Neusa TrovoadaVideo co-creation: António CasteloProduction: SO WING <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/e412a3edd7277743585aeac2527d3048d5dd49b2909764fac86aa1229d2711f3/Kuinzy-1.jpg" data-mid="238737038" border="0" src="https://freight.cargo.site/w/1000/i/e412a3edd7277743585aeac2527d3048d5dd49b2909764fac86aa1229d2711f3/Kuinzy-1.jpg" /> <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/04c00a6b0b0368bb89b2031567b3db46b4c2f580e2308724ef1dc5e3a0178e58/Kuinzy-4.jpg" data-mid="238737041" border="0" src="https://freight.cargo.site/w/1000/i/04c00a6b0b0368bb89b2031567b3db46b4c2f580e2308724ef1dc5e3a0178e58/Kuinzy-4.jpg" /> António Castelo <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/9018c123ded6a96a8d2093ea6722cc710ce0de5daeabada9535d4c63b8650cf9/Kuinzy-3.jpg" data-mid="238737040" border="0" src="https://freight.cargo.site/w/1000/i/9018c123ded6a96a8d2093ea6722cc710ce0de5daeabada9535d4c63b8650cf9/Kuinzy-3.jpg" />António Castelo https://neusatrovoada.eu/A-Ilha Sat, 27 Sep 2025 16:10:52 +0000 neusatrovoada copy https://neusatrovoada.eu/A-Ilha I video-installation STPJul 2022 A Ilha The island appears as a metaphor for mourning. And mourning as the recovery of memory. During my last trip to São Tomé and Príncipe, my father's homeland, I was once again confronted with his absence. I found myself on his island, surrounded by sea and endless vegetation. I tried to fill myself with his "presence" and recover the memory of what I didn't experience with him. I created a new affection for the island. Between nostalgia and the emptiness of his absence, "there is no time". <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/a122886c791802e4f9c0f48a57c9a793fd124e708e61d2e714e241fdfed49f7d/A-Ilha-1.jpg" data-mid="238737042" border="0" src="https://freight.cargo.site/w/1000/i/a122886c791802e4f9c0f48a57c9a793fd124e708e61d2e714e241fdfed49f7d/A-Ilha-1.jpg" /><img width="4168" height="2606" width_o="4168" height_o="2606" data-src="https://freight.cargo.site/t/original/i/258ec1092f6fe5bf240abbd1cee4d7eb696f9077784d8b6535fbcfd34468963f/A-Ilha-2.jpg" data-mid="238737043" border="0" src="https://freight.cargo.site/w/1000/i/258ec1092f6fe5bf240abbd1cee4d7eb696f9077784d8b6535fbcfd34468963f/A-Ilha-2.jpg" /> https://neusatrovoada.eu/Erosao Sat, 27 Sep 2025 16:10:52 +0000 neusatrovoada copy https://neusatrovoada.eu/Erosao I costumes and installation Galerias MunicipaisSet 2022 Erosão Sonic Performance by Zia Soares as part of the “Mirages and Deep Time” exhibition by Mónica de Miranda. This performance is based on a reading of Amílcar Cabral’s agrarian studies, and puts into play the relations between soil and memory, between ecology and resistance, topics that are already brought to attention in the exhibition space through the photographs, the film and the sculptures presented by Mónica de Miranda. Zia Soares proposes a performative intervention, deepening the connections between the past present and futures of ecological and anti-colonial resistance.Written and performed by: Zia SoaresSound creation: Mestre André Costumes and installation: Neusa Trovoada Production: SO WING <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/704cbb464c173c95f1218f4e28412aa337934d9958022118d5d0f3ef8dc2291e/Erosao-1.jpg" data-mid="238737044" border="0" src="https://freight.cargo.site/w/1000/i/704cbb464c173c95f1218f4e28412aa337934d9958022118d5d0f3ef8dc2291e/Erosao-1.jpg" /> Luis Pereira <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/3e3f9272f0ba1c025d4dce5a0dfe7fdb8d0153b8f634a61ce2479ca44e135518/Erosao-2.jpg" data-mid="238737045" border="0" src="https://freight.cargo.site/w/1000/i/3e3f9272f0ba1c025d4dce5a0dfe7fdb8d0153b8f634a61ce2479ca44e135518/Erosao-2.jpg" /> Luis Pereira <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/e8a9d1da2cc943362e18b8a2ed3b1b4318e960eb8e28a2d1bcb82a4f33ec26b6/Erosao-3.jpg" data-mid="238737046" border="0" src="https://freight.cargo.site/w/1000/i/e8a9d1da2cc943362e18b8a2ed3b1b4318e960eb8e28a2d1bcb82a4f33ec26b6/Erosao-3.jpg" /> Luis Pereira https://neusatrovoada.eu/ORDN Sat, 27 Sep 2025 16:10:52 +0000 neusatrovoada copy https://neusatrovoada.eu/ORDN I scenic design, costumes and props CulturgestApr 2021 O Riso dos Necrófagos Teatro Griot The Laughter of the Scavengers is based on the images that survived in the memory of the living from the terrible events of the Trindade War, where, in 1953, colonial violence killed an undetermined number of santomenses. Direction: Zia Soares Text: Alda Espírito Santo, Conceição Lima, Zia Soares With: Benvindo Fonseca, Binete Undonque, Daniel Martinho, Gio Lourenço, Mick Trovoada, Neusa Trovoada, Vera Cruz, Xullaji, Zia Soares Original Music: Xullaji Scenery and costumes: Neusa Trovoada Lighting&nbsp; design:&nbsp;Jorge Ribeiro Movement: Lucília Raimundo Support for the movement&nbsp;&nbsp;Marcus Veiga Video:&nbsp;António CasteloProduction: Teatro GRIOT Co-production: Culturgest <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/aba7ec1c43956b711792a4b72d14f35e15fcd9af4710c3adc1afcc32237af95d/ORDN-1.jpg" data-mid="238737047" border="0" src="https://freight.cargo.site/w/1000/i/aba7ec1c43956b711792a4b72d14f35e15fcd9af4710c3adc1afcc32237af95d/ORDN-1.jpg" /> João Duarte / Convento São Francisco <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/71cfa622c12fad1092f2b87a8d3ec049e6cf2f64d7f91fead6671fdb36f9dec5/ORDN-5.jpg" data-mid="238737048" border="0" src="https://freight.cargo.site/w/1000/i/71cfa622c12fad1092f2b87a8d3ec049e6cf2f64d7f91fead6671fdb36f9dec5/ORDN-5.jpg" />Sofia Berberan <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/5ea8eb7ea84fe9548731f4681d0f0f360b93d6384b41820082ec2460acdf6a89/ORDN-6.jpg" data-mid="238737049" border="0" src="https://freight.cargo.site/w/1000/i/5ea8eb7ea84fe9548731f4681d0f0f360b93d6384b41820082ec2460acdf6a89/ORDN-6.jpg" /> João Duarte / Convento São Francisco <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/8cb52c7e8ec82abab110522d6a17a93cd91cf43a208d178d01427680f0b75409/ORDN-8.jpg" data-mid="238737050" border="0" src="https://freight.cargo.site/w/1000/i/8cb52c7e8ec82abab110522d6a17a93cd91cf43a208d178d01427680f0b75409/ORDN-8.jpg" />João Duarte / Convento São Francisco <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/96e54601adfc6d72696b5ddd3ed1366a24ae18d3ebed7294c3027f12f9371b40/ORDN-4.jpg" data-mid="238737051" border="0" src="https://freight.cargo.site/w/1000/i/96e54601adfc6d72696b5ddd3ed1366a24ae18d3ebed7294c3027f12f9371b40/ORDN-4.jpg" /> Sofia Berberan <img width="6252" height="3908" width_o="6252" height_o="3908" data-src="https://freight.cargo.site/t/original/i/bed3c4fcbafd8ce48d5b6d8d2cc140e6d069d6a7de7369ff9469f0db2091af77/ORDN-3.jpg" data-mid="238737053" border="0" src="https://freight.cargo.site/w/1000/i/bed3c4fcbafd8ce48d5b6d8d2cc140e6d069d6a7de7369ff9469f0db2091af77/ORDN-3.jpg" />João Duarte / Convento São Francisco